
We all know that making it on Instagram can be tough, as is making it as a classical musician -- but when the two are combined, it can seem completely out of reach. Let’s take a look at some of the best marketed musicians on Instagram and see what we can take away from their profiles:
Followers: 120k
Aesthetic: Aquamarine and tangerine
Projects: Faking Notes Podcast, jamming with Vitamin String Quartet, collaborations with Marriott Hotels
One of the reasons I enjoy following Drew is that despite being very polished (notice the personalized icons for his story highlights, as well as the general tones of tangerine and aquamarine that pervade his photo grid), his captions ring of authenticity and genuine sentiment. In a recent post, he described Schubert as “slept on.” I couldn’t get that phrase out of my head, and it’s probably because I’ve been sleeping on Schubert.
If you’ve been following Drew for a while, you’ll know all about his trials and tribulations of auditioning for major orchestras. When Drew got rejected from the LA Phil Resident Fellows program, he posted a screenshot of his rejection on Instagram. He doesn’t hide his disappointment. He basks in it. And we like him all the more for it.
Takeaways from That Viola Kid:
Followers: 61.5k
Aesthetic: Tidy, bright shots of NYC
Projects: online violin lessons, vlogging, travel, music festivals
I started following Sumina about a year ago. She’s a current violin student at Julliard, and her insta stories often detail the saga of securing a practice room, or running around with other music students. She’s shown up on the account of @raychenviolin, and he on hers. (There are definitely some lingering questions there...)
One of the reasons I love following Sumina is that despite the chaos of the city -- for surely, living in New York can’t be all that clean and tidy -- her posts are upbeat, cheerful, and all about the music. Her feed looks like Marie Kondo gave her a personal lesson on “sparking joy.” She’s shared videos of Julliard’s orchestra rehearsal, photos of dried flowers next to her violin, short clips of her technique, and of herself in front of a checkered wall. Her posts seem like a breath of fresh air next, especially compared to more negative or critical grids.
Takeaways from Sumina Studer:
Written by Melia Wong
Contact her at melia@musictraveler.com